His portrait inhabited in time, reflecting the sensitivity of the childish vision in the world.
«Gallery Albareh» in Bahrain currently hosts a new exhibition «the disappearance of things».
Famous artist Hazem Taha Hussein in his late works in his own way unique in structure, it builds on the concept of the artwork and the accumulation of deep underground layers painted on top of each other. Using the fundamentals of graphic decoration Islamic in the foreground to obscure or hide the form or forms of abstraction, which shows the background of the work-like situations for the characters or figures, or angels, or of landscapes, determines routes external spaces of color, and forbids his paintings draw the decorations over the entire surface. Output is to create the exciting new aesthetic, visually deceive the recipient and paid him to move from one point to another within the limits of painting, in order to discover what things naked. 


The cumulative layers set to make way fixed to the recipient appear to be moving dynamic going on. And become patterns and ornaments used are motivated to give a suggestion of movement and change, adding new privacy on the concept of abstraction and the language of the various trends and schools. These repeated circles like decoration found in mosques, which fascinates the recipient, be forced to move from one point to another, and paid him to focus on "abstract". But hints are differences and different place and the person and feelings at that moment and leave the recipient interpretations are endless, and the impressions and perceptions are different in each time he sees the painting to discover something new out.It is therefore considered Hazim Taha artists Altobeirien reformists, who have succeeded in combining Eastern and Western elements in his work to form the models for the recipient to interact with them, thus provoking a dialogue with the visual motivation in creating a dialogue to question the meaning, rather than direct.



About the artist:

The beginnings of Hazim Taha in the eighties as an artist, designer and teacher in the design of visual communication in Germany, and Egypt and now in Bahrain. The artist moved to Basel in 1988 after a group that produced "stick forms and quasi-characters" in 1987, and here was the beginning of the new business distinct patterns repeated. In 2000, the artist continued to produce work of the firm finally led to the group of Omar Khayyam, chambers of childhood memories and a personal art gallery exhibition MySpace Karim Francis of Contemporary Art in Cairo.Affected by Hazim and his parents are artists, where he learned from his father the importance of building classes in the formation of the panel, and His mother, including the method of teaching the abstract drawing shapes in three dimensions and dynamic perspective. And now has more than 80 business and public art projects in Africa, India and other European and Arab countries. Has participated in many international exhibitions of photography and photographs in Cairo, Marseille, and Bonn, and in addition to painting exhibitions in Sweden, Spain and many European cities.


( translated in Google translator = original articl " in Arabic " )